eye teeth, the new techno sub-label of interdimensional transmissions, launches with an ep from israel vines. the label say: we started this sublabel as way of exploring pure and experimental techno in an entirely contemporary context (where it often uses historical lenses and a wider musical context). this is techno from detroit and america, not detroit techno. we would like to see american techno evolve, and this new imprint is an attempt to be a catalyst in that arena.

gynoid audio maintains it s ltd series with a new split ep containing much character, coarse-grained attitude, thrilling sequences and delightful soul. on one side we have the follow up of the -procurators- by mattias fridell, exquisitely paired with a mechanically grooving remix by tomohiko sagae. turning the plate reveals the minimalistic and focused purist techno cut by future 16, the -filaments pt4-. who else would be better suited to put a soulful and zealous twist on the latter than zadig obviously no one. hopefully you ll enjoy this package of music as much as we did assembling it!

the music strahil velchev alias kink creates for the 12-inch format is as playful and fanciful as it is functional and precise. his first outing for running back is no exception. inspired by the hardware of the same name, his cloud generator ep makes the most use of that. computer nerd symphonies and cyberpunk melodies for clubs, roofless raves and virtual racing games. wilhelm reich and william gibson would enjoy this. oh, and there is a breakbeat mix on here as well.

limited edition - white vinyl with sticker insert - no repress !
those essex rascals made us wait nearly a whole year for the follow up to the instant sell-out first ep ! luckily for all of us, it was well worth it all four cuts are bona fide lost classics, the kind of jams that theo would drop and have you racing to the booth - lovingly extended and amped by this mysterious uk crate digging collective, whose podcast series way back wednesday showcases exactly what you are hearing here.
serious business ladies and gents. you know what to do...

attention please, w’d like to shine a light on the man whose records would come to define many a numbers party, who once described his music as for the strippers, for the street. the original master of ghetto house, the one and only dj deeon.

fans of deep house will need little introduction to fred everything and shur-i-kan, two producers synonomous with the true roots of the genre. as you would expect the resulting collaboration is forward thinking deep house with depth and musicality in abundance. lead track common ground is all about the lead line, a delicate arppegiated melody paired with a chicago-esq bassline. there is also dub working the bassline to full effect. ep closer so leena neatly walks the line beween deep house and melodic techno.

we started the classic series featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this first edition, it is a great honor for us to welcome such a living legend, a pioneer from the chicago house scene: mr k alexi shelby! at the age of 12 he was already moving in the right circles, befriending frankie knuckles and ron hardy whilst frequenting the famous warehouse. his upbringing in chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including stevie wonder, prince, curtis mayfield and david huff. these same names would prove to be the roots of his influences. this projet includes two classic and timeless moments of chicago house & techno music.

one can only see cleary with the heart. essence is invisible to the naked eye. clash of the titans: 2 south-hessian music biz legends teamed up in 95, long before they had the slightest idea of what life would have in store for them. unreleased, mysterious, rough & oldschool rave adventures… these are the original tracks taken from a dusty & long forgotten dat. remastered by lopazz in 2015. love from all of us.

for release number four soul intent comes up with something truly special. the fruit club is a big nod back to the famous fruit club event that was held at the brunel rooms in swindon throughout the 90s. this is where soul intent first heard dnb as it should be via underground heros like doc scott, kemistry & storm, and dj lee. infact even the label artwork has been designed around their old flyers (big up to dj faydz & stephen reid for permission to use the fruit club logo).

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

we dont know what good old louis jordan would’ve thought of a house-gambler like rampa, translating his >let the good times roll.<- credo into the clubagenda. quite possibly he might’ve forked out some sax samples for rampas next cuts, after revising this upcoming km026, the >good times / roll< ep.

do you know what genre this is? do you know whos going to play this record? do you know at what time in which club? if you knew, would it sound any different? would it make you feel any different? heres a thought: what if this release was made just for you? what if you realise, as you put the needle to the groove, that this is your music? you can share it with your friends, and strangers will talk about it like it was theirs, but deep inside youll know: this was made for yoursel

after his first ep for l.i.e.s. last year, tzusing is back with his impeccably produced style of industrial and ebm influenced machine grinding cuts.
the tracks on this ep represent the climate of clubbing yesteryear when it was normal for djs to play such things as ministry, front 242, or nitzer ebb next to a disco track next to a breakbeat track and so forth and to say these tracks could be heard somewhere like medusas would not be off base. driving, engaging and downright gnarly we can only hope these sounds foreshadow things opening back up on the floor as time pushs forward.

every wph summer brings us…the wph summer special! well, some summer specials have been known to be released in the winter, with huge acclaim from the cold masses who had something to warm their hearts and souls to. so we figured we would release another summer special in the winter… the mysterious-but-not-really harry baldi kicks things off with ‘something for your mind’, a sample-ridden up tempo house workout that will also go down a treat on techno floors. solid yamaha bass anyone? up next we introduce a new belgian member to the wph family. dj miclem has quietly been working on his music and now it’s time to let some of it out of the studio and onto your decks. this is the vintage wph sound that got us on the map!

this 10 inch contains 2 unreleased vinyl versions in extended mixes that can make your day. the merits of van bonns releases on telrae, trapez and on van bonn records you can find in his new release -unbound-. the attractiveness of repetition has made its way into this ep... and it was a good choice. we kick off with -king-, a track which is a cross breed of a stubborn beat and a dub techno feeling showcasing a melodic intermezzi that flies in and out with a mind of its own. more minimalistic than most of the tracks you know from him, it includes unexpected half baked sounds you would not expect from van bonn. on the other hand the epic 10 minute monster -distinct- is a real dub techno giant and a soundtrack at the same time... with beats that take you by the hand.

2015 re-issue! producers trias and baeks are old school techno berliner djs who held residency at tresor club for well over 10 years. adam x and ancient methods befriended each other in berlin in 2008. the main commonality in forging a solid friendship between them was their passion not just for techno but for the rhythmic noise side of the industrial music scene. it would only make sense with mutual respect of each others music to record a release together. here on their first collaboration they blend together their distinctive styles to create a fresh new sound of techno, industrial and arrhythmic and dysrhythmic noise machine funk

the latest instalment from par grindviks techno institution stockholm ltd sees stefan vincent making his label debut, lining up with the persuader and a&s on the a-side to deliver 3 lush listening pieces ranging from dub to ambient. the flip side features two works of titanic, timeless techno from stefan vincent and par grindvik himself.

the man like octo octa: best known for his still devastating let me see you cut for 100% silk, the brooklyn producer graces running back with four fine cuts. creating the new, while respecting the old, the more times ep features heavy house (more times), twitchy house (fever dream), dubby house (take me to the dark) and breakbeat house with due respect to ltj bukem (dresses). thats a lot of house for your money. music for clubs and places that would like to be clubs. watch out for octo octa on the back of the brilliant cover.

at the tail end of the 90s, gregory darsa played around with a number of pseudonyms before finally settling on his now familiar dj gregory alias. one of those abandoned aliases was headcore. it was used for a single ep back in 1998, released on chateau flight s label, versatile (then in it s infancy). here, that ep gets a welcome reissue. it s aged rather well, with all four tracks - explorations of deep house themes with occasional nods to the dubby, african-influenced style darsa would later explore on the africanism project - sounding as fresh now as they did 16 years ago. picking highlights is tricky, but we re particularly enjoyed the sparse, swinging dub-house of -cage- (accompanied with a tasty drum dub) and the chez damier-influenced chug of -in & out

iron curtis delivers his 2nd full 4 track ep for hudd traxx following up the huge stansfield ep in 2010. the opening track care demonstrates ics diversity as a producer as he lays down a killer bassline with melodic keys which will find its way into many big hitters bags. sing along with your friends has deep laid keys and an mcde esk feel to it accompanied by some heavy snares for good measure. flip for the b side and find shouting & screaming, a dark driving track that even spencer kinsey would be proud of.

today we kindly would like to bring your attention to our little label sister, pastamusik limited. especially for the new watch dog ep by machine man, hobby cook and long time companion the analog roland orchestra.

today we kindly would like to bring your attention to our little label sister, pastamusik limited. especially for the new watch dog ep by machine man, hobby cook and long time companion the analog roland orchestra.
pressing on blue marbled vinyl.

what do people like balihus daniel wang and royksopp have in common? they write nice things like this about our (not so) new talent kid on the block. polosh superproducer maximilian skiba! music from a very good young polish producer, warm chords, funky melodies, think bass and guitars by chic meeting a string section by beethoven, with a touch of italo-disco and almost flamenco-like soul daniel wang he produces very nice italo disco tracks, im a fan royksopp. shanghouse is an instant hit. i would say instant classic if this wasnt so daft and meaningless. if you just heard it 5 times and feel the need to put it on another time. thats shanghouse by max skiba. then theres a great remix by victor rosado and a great slightly diverse prins thomas edit of korsakot another track.

not since edward iii rolled out his cannons on the french battlefield during the 100 years war have we seen such shock & awe response to fresh, terrifying and complete weaponry. many of you will already know the name of tx connect from his previous sides on dabj, not to mention cuts on l.i.e.s (w/ willie burns), bad mums and adelaide soundworks. the three tracks present here for his first bonafide dabj solo outing are no-nonsense jack trax strictly for the vagabonds, rogues, sages and full-on midnight wizards. if you were to drop this fizzing slice of wax into a two-litre bottle of coke, it would level your whole fucking town.

land of confusion is one of the most seminal chicago acid house records. originally released in 1987 on bam bam s westbrook imprint and produced by the legendary armando gallop it marked the start of a recording career that would make him a household name among house and techno aficionados. to say land of confusion is raw is an understatement, it consists of a handful of elements but its impact when played is incendiary. armandos tb-303 acid lines sound possessed and unruly while the primitive drum machine patterns stagger around the track giving it a feeling of out of control urgency, a truly lo-fi piece of crazy chicago acid that was popular with many djs in chicago(including ron hardy at the muzic box) and around the world and continues to be influential today. an essential record for any discerning house or techno fan.

off the back of the success of audens first hotflush ep, the enigmatic alias returns to scubas label with another hard hitting four-tracker, wall to wall. lock in throws you in headfirst - fast-paced drum loops layered with slices of jarring techno and a driving bassline that would be welcomed on the darkest dancefloors. utopian, initially a more languid cut, juxtaposes an almost cerebral landscape with hard hitting percussion, only allowing the listener a short breather before hurtling back in with perisheds swirling synths and trippy electronic jabs. ending on xirox, auden crafts a slightly more down-tempo cut, boasting a catchy groove that only gets better with each listen. whoever auden may or may not be, one thing is for certain – hes carving his place deep in technos panorama.

with the bizarre feeling ep laying the sound for the subsequent fist year of the label, it is right jamie returns with ep#2 to move things forward with another twisted take on his unique mutoid-protoid-machine-funk-groove. starting with mad obsession you would be forgiven for thinking you ll have bizarre feeling part 2, with warped vocals - taken from late night, half asleep scribbled notes - and space echo haze, but let the percussion work-out trip you up and the stars in and before you know it things start going leftfild and then deeper with the free party sound system bass line shuffl of time nearly time. what he is on (about), no one knows. it is on the flp however that things take a darker turn. beyond the confession booth, down sharp stairs and dripping ceiling to a red light lit room of latter day late night blues.

one would never think of mystic rituals when thinking of basque county. yet, this might be a premature thought. naturally, the isle of haiti or the american deep south come to mind when thinking of these tribal traditions.

growing up in metro-detroit, and having recently played on the made in detroit stage at this years movement festival, you would have a fair idea of what to expect from appian. indeed, the influence of the motor citys signature sound on much of the burgeoning talents output is unmistakable. yet appians forthcoming release *chatter ep* on fina records is a testament to his varied and experimental production style, a distinctive sound borne out of inspirations as varied as funk, experimental electronica, disco, 80s stuff, early house, and aphex twin

after being returned from his abduction by aliens from the hidden planet nibiru, dj overdose was given an alien synthesizer the haex-hrll as a thank you for all the cerebral research the aliens did on him. on returning back to earth all dj overdose had to do was finish the 6 tracks the aliens had started to work on, which became this ep. straight forward techno hop electro funk without any fancy-pants pretentious hooha. its like a black and white movie which makes you think why the hell is there colors anyway?! after completion, the only record label he could imagine being fit for such rawness would be viewlexx... and so here it is.

first volume in a new series of edits by in flagranti! if there is such a thing as a spritus rector, i would put my faith in the new in flagranti release in a blink of the eye. wandering through musical age and genre, in flagranti selects the flickering gold from the mud. the duo inspired many. this record does not compromise. it is a question. whether you want to step on to the dancefloor, wherever that may conveniently or shamelessly be. murielle victorine scherre. designer-owner la fille d o. obsessive shredder at life.

the new album from taylor swift as double 12 inch vinyl in gatefold sleeve.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

pulps darand land has become the labels very own stalwart. being involved in every single release thus far, a new project of a certain extend would be the next logical step. heaven electric is a mini album that s being released in two 12inch efforts. the first part comes as a 4-track release with 3 originals and a soul moving remix by no-one less than the respected edinburgh native linkwood. from the first seconds this sophomore part of the heaven electric album showcases the signature darand land style weve enjoyed so much on the previous pulp releases. beautiful chords, pads, and thriving basslines throughout. of course, the linkwood remix included in this wonderful package is not to be missed.

after what many would consider one of the most meteoric rises to d&b infamousy in recent times, mefjus gets set to deliver his debut album emulation through critical music. an extension of his explosive trademark production style, the music of mefjus stands tall as an aggressive powerhouse of some the most deadly dance floor drum & bass seen in 2014. drawing on a handful of carefully selected collaborators from the jaw-dropping phace & misanthrop to the hip-hop infusions of dope d.o.d, emulation looks set to shatter dance floors for years to come, marking a clear-cut arrival of one of the most gifted producers in the d&b game, mefjus.

continuing a strong line of afro inspired works, men like pedestrian & jasperdrum drop another scintillating technoid excursion on 2nd drop. deeper, moodier with dynamically carved esoteric angles, *origins* moves forward from the superb kalakuta, the afrobeat meets bass music bomb supported by giles peterson, scuba, midland, mr scruff and many more, from last year, to deliver a heads down destroyer. off kilter, wonky and expertly crafted, pedestrian & jasperdrums *origins* is pure class, led by a host of syncopated percussion, haunting flute lines and distorted vocal samples, this is what fela would have sounded like if he had teamed up with carl craig in 2014! on the flip we welcome alix perez, best known for his dnb production but widely talented as shown by his arp101 outings on the likes of eglo. here, alix takes the tools to kalakuta, transforming the originals afrocentricity into a tense, punchy roller, dominated by a bass line which literally jumps in to your ears. toss in a stabby synth line, rifle shot drums and plenty of bass with space, this a beautifully crafted refix.

nachdem die nachfrage an den - bisher nur digital veröffentlichten - shaken-up versions so groß war, erscheinen die acht neu aufgearbeiteten the knife-klassiker nun auch als cd und lp am via rabid records. shaken-up versions präsentiert bekannte the knife songs in einem neuen klanglichen gewand. neben without you my life would be boring wurden u.a. auch pass this on oder silent shout neu bearbeitet. außerdem kündigte das legendäre geschwisterpaar ihre allerletzte tour an! auf dieser tour werden die tänzer nicht mehr nur tänzer sein, sie werden singen und instrumente spielen, die bühne wird drei ebenen haben und shannon funchess (light asylum) wird sie auf der ganzen tour begleiten. in diesem sinne: join us in our dance for some last shaking moves!
1 rotes + 1 blaues 180 gramm vinyl im klappcover, inklusive cd und booklet.

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.

our mission is to move people and our satisfaction comes from enjoying ourselves through music. without music we would not be here is the mission statement of brand new barcelona-based record label yakazi records. through the label, they intend to draw from the expressive universe that flows through various melodic and rhythmic scenarios, in which good taste prevails over fads and trends.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

cosmic disco ensemble midnight magic find their way on to the ever adaptive soul clap imprint for their next release. -viscous love- is a 5 track ep which see the magic ones explore the more spaced out corners of the disco universe. the ep starts with the funked out, slap-bass heavy, night flight before weaving its way to the more slo-mo pitched down viscous love and pick up , the later showcasing some synth work that parliment would be proud of. trouble t and electic shock finish the ep with aplomb, electric shock being one of the stand outs of the release with its driving italo-disco bass line.

heidi lord wife of rephlex/weme artist jodey kendrick 3 of heidis tracks are featured on the famous edm compilation albums this is the debut album from heidi using a unique pallet of sounds from mri machines to modular synthersizers to conversations in a super market to her own processed voice co produced by her husband i could describe what the album means to me, but i would much rather leave it to listener to experience and feel and to interpret how they see fit

mit museum of love reiht das geschmackssichere label dfa einen weiteren release in den reigen für 2014 ein. am 10.10. erscheint das gleichnamige debütalbum des duos, bestehend aus pat mahoney, seines zeichens gründungsmitglied von lcd soundsystem und dennis mcnanny aka jee day. zusammen bilden sie museum of love, eine direkte anspielung auf daniel johnstons song, verrät mahoney: *i had always loved the song, and had been thinking of what such an edifice would contain when we were trying to name the project*, und mcnanny weiter *pat is a sculptor, i am a painter, we make music and museums are sacred spaces and love is an elusive thing.* die produktion, instrumentierung und das songwriting lag im aufgabenbereich von mcnanny, während sich mahoney um den gesang und um die drums kümmerte. ein detailreiches disco-house album, das sich perfekt in das sound-regal von dfa einreiht. die vinyl-lp erscheint im klappcover, download-code inklusive.

cultivated electronics presents the first in new series of collaboration eps which sees ce label head sync 24 joining forces with other artists. the first instalment is with the the dark electro purveyor the exaltics (bunker, clone, trust, solar one etc). together they serve up 4 moody yet diverse electro tracks synonymous with the style you would expect from both of these producers.

after making waves with early and idiosyncratic eps on labels like rush hour and astro:dynamics, singular uk talent bnjmn now steps up to make his debut on delsin with six tracks of experimental and inventive noise and techno. coil opens his account with screechy, unnerving synths squeals, imposing and throbbing pads and super deep kick drums that come at you from miles below. it s a hugely textured and spine tingling affair before the ambiance of berth comes rippled with glassy and alien little melodies. merge has turbo charged drums hiding beneath more unsettled synth based noise that sound sernee at the same time as being paranoid. on the flip, and suddenly makes your hairs stand on end with is gothic celestial glow and slithering synth patterns, blown is a damaged and degraded bit of icy, thumping and reverb heavy techno and azure ends on a brain soothing, chilled out ambient high. these are the sort of truly unique and magically textured tracks you would expect from a producer like bnjmn, and mark a fine debut on delsin.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!